June 16, 2023 — It’s hard for me to believe, but it has been more than a year since we published Rachel Rosen’s brilliant debut novel, Cascade.
I am embarrassed to admit that I missed the actual anniversary (June 7, 2022), and while I’ll lean a little on my duties as a father, and of getting Zilla Novikov’s equally-brilliant Reprise ready for publication, neither explanation/excuse really lets me off the hook.
But here we are, with a belated celebratory offering.
First, Rachel’s book is on sale, 25% off each version, ebook or print. Please visit our store, if you have somehow not yet bought her book!
Second, if you haven’t read the book and still need convincing, I have collected a lot of reviews here — if these raves don’t convince you, I don’t know what will.
March 17, 2023 — It is with great pleasure that I welcome Paul Adamson to the BumblePuppy Press.
Paul has signed on to launch our — and his — very first foray into audio books, narrating Rachel A. Rosen’s Cascade.
This being our first time working with audio, I’m not ready to provide a precise launch date, but our intention is to publish it in the fall of 2023 (why yes, in time for Christmas). We will also be launching a crowd-sourcing campaign to support it — details to follow soon.
Paul has already made a name for himself as a voice actor in video games and e-learning videos, but Cascade will be his first time working with long-form fiction. I for one have no doubt that this book will be the first of many — I hope, for the BumblePuppy Press, and elsewhere.
Below is a very brief excerpt from his audition recording, already very nearly ready for prime time.
Of course, if you prefer to read your fiction with your eyes (or you just can’t wait until the fall), Cascade is now on special at our store, in hard-cover, soft-cover, and all major ebook formats (DRM-free, of course). And if you’re voting in the upcoming Aurora Awards, there is still time to vote for Cascade as this year’s best novel.
Rachel A. Rosen’s Cascade eligible for Aurora Award
As is only right and proper, Rachel A. Rosen’s debut novel, Cascade, is eligible in the Best Novel category for Canada’s premiere English-language science fiction and fantasy awards, the Auroras (https://www.csffa.ca/members-home/nomination/).
To have a chance to be added to the final Aurora Awards ballot, a work must get at least five nominations, and only members of the Canadian Science Fiction and Fantasy Association (CSFFA) are eligible to vote. The price of that franchise is a pretty affordable $10.00 for an annual membership, and you must be a Canadian citizen or landed immigrant in order to join.
If you loved Cascade, or even if you’re just a fan of Canadian SF&F, that seems a small price to pay to support the work creators you like. Membership information is here: https://www.csffa.ca/become-a-member/. CSFFA membership allows you to:
nominate your favourite works in any or all of the categories;
download e-versions of almost all of the finalist works for free with our voter package; and
vote for the for the awards themselves.
To celebrate (and yes, to improve Rachel’s chances, I won’t lie), we’ve reduced the price on all versions of Cascade. DRM-free ebooks in all formats are now only $2.00, the paperback is marked down to $15.00, and the hardcover is only $26.00. A little self-serving, maybe, but a great deal for you if you have not yet had the pleasure of reading what I really do think was the best Canadian SF novel of 2022. You can buy all of our books here.
Besides the upcoming Aurora Awards, the BumblePuppy Press will have more news about Cascade (audiobook!), the upcoming novel Reprise, and a new version of A.A. Milne’s classic children’s book, which we will be calling The InclusiveWoke Winnie-the-Pooh. So please come back soon or, better yet, subscribe to our newsletter!
It was a wide-ranging discussion that, while focused on SFWA Grandmaster Nalo Hopkinson’s first novel, Brown Girl In the Ring, covered topics including Canadian literature, Kim Stanley Robinson’s Mars trilogy, Post-apocalyptic Toronto and Ontario, white flight and inner city decline (or otherwise), the Afro-Caribbean diaspora, and the challenges of predicting the future back in the 1990s.
It might sound like a lot to cover in not much more than 30 minutes, but I (admittedly, a biased listener) thought it was a fascinating discussion.
It’s not often one grins while pressing Send on an e-transfer, but this was one of those times. (Not often?!? Come to think of it, I can’t remember ever feeling delighted about paying money for anything.)
But it was with genuine pleasure that I found myself sending Rachel A. Rosen her first royalty payment for her debut novel, Cascade, amounting to more than 60% of her advance! (There was also a second, much smaller cheque, for sales of her related chapbook, So Human As I Am.)
Yes, I think the exclamation point is warranted. While not quite a bestseller, for the publisher behind a very small press, I consider this a real victory. And I’m confident it won’t be the last.* * *
Not only do we have four really good books currently available for sale now, but this year we have plans for at least another four books, two of them slated for the spring.
Next week we will formally launch a Kickstarter campaign for, and reveal the cover of, Zilla Novikov’s first novel, the very twisted, and very funny, science fiction romance, Reprise, and shortly after that, our Inclusive version of A.A. Milne’s children’s classic, Winnie-the-Pooh.
If you want to avoid the mysterious algorithms of social media, please join our mailing list (link below). We won’t sell your info to anyone else, and you’ll then be the first to know when we have actual news.
I think that’s it for the moment. I hope the new year is starting off as well for you as it is for us!
Well, our Cascade Kickstarter ended really successfully. 101 backers pledged 263% towards our modest $2,000 goal. If you are among those, please accept my thanks for your support one more time!
I am working hard to get the rewards out as soon as possible, which also means I am working hard to make Rachel A. Rosen‘s book available to everyone else, as well, so that those of you who prefer to buy their books in more traditional ways can do so soon.
* * *
Beyond the support of readers, we’ve also had some advance praise from other writers. For the record (and for my own pleasure, if I’m being fully honest — as why shouldn’t I be?), here are what they’ve had to say to date.
Finally, something to make the hope-punks shut the fuck up.
A near-perfect blend of implacable horror, gallows humor, and ecological apocalypse. It seems almost absurd that a novel about chaos magic and bureaucrat magicians (even if they are embedded in the sociopathic morass of Canadian politics) can somehow feel more viscerally relevant than all the earnest mainstream novels and Suzuki-Foundation bulletins you could stuff into a ballot box. Pay attention, people: all magic aside, we’re far closer to this future than any of our rulers will ever admit.
Rachel A. Rosen is some kind of twisted genius. I wish I had even half her moves.
Finally, an urban fantasy that kills the cop—and the rest of the government—in your head. Relentlessly radical and often hilarious, Cascade will change the way you look at magic, and the state, forever.
Cascade is an excellent introduction to the imaginative prose of Rachel A. Rosen. Her debut novel takes us to a futuristic North America filled with vividly realized characters surrounded by magic and the possible end of the world. One of the few novels I’ve read recently in a single weekend. Sharp and thought-provoking, with thrilling moments and crackling with compelling ideas, I wouldn’t miss this one. I’m looking forward to her next instalment!
Rachel A. Rosen’s Cascade is one of the best books I’ve read this year. She brings a unique blend of magic environmentalism, Canadian politcking, and indigenous and queer rights to the table. I never thought I would be so interested in the near-futuristic Canadian political process!
Full of magic and social commentary, Cascade is never so witty that it hides its anger or so angry that it sacrifices wit. This is a brilliant exciting debut by an author that will have a long and fruitful career if there’s any justice in the world.
And if all of those very perceptive comments don’t convince you that Cascade is a novel worth your time and money, the redoutable Rachel A. has created something else for you!
If you prefer to read electronically, Kindle-users can pre-order Cascade here. For the rest of you, you’ll be able to place pre-orders through our site soon, and through your usual online vendors soon after that.
Don’t forget to subscribe to our mailing list in order to stay informed about this book, and those we have waiting in the proverbial pipeline!
Rachel A. Rosen on writing, and on having writ Cascade
This interview was originally published in the May 1, 2022 edition of the Night Beats Extended Universe monthly newsletter. The interview was conducted by Sabitha Furiosa and Zilla Novikov, who was recently signed by The BumbleBuppy Press. You can subscribe at https://nightbeatseu.ca/newsletter/.
The Kickstarter for Rachel A. Rosen’s debut novel, Cascade, outdid our wildest hopes—fully backed in 24 hours, and doubling the goal in less than a week. This month, we talk to Rachel about her book and her writing process.
Sabitha: What’s the novel about?
Rachel: Climate catastrophe. Institutional failure. Disaster wizards. Cascade is set a generation after the titular event, brought on by climate change, returned magic to the world—for better or worse, but mostly worse. A small number of people are able to channel magical energy, and one of them, Ian Mallory, works for the Canadian government, using his precognitive abilities to keep the ruling minority party in power. But when the disaster he predicts is much larger than the usual sordid affair, expense scandal, or minor terrorist incident that he’s hired to avert, it falls to the magic-loathing photojournalist Tobias, land rights activist Jonah, climate scientist Blythe, and Ian’s emoji-spell wielding intern Sujay, to prevent a future cataclysm bigger than politics or ideology.
Zilla: I adore Sujay and her relateable millennial lifestyle. What was the inspiration for writing her?
Rachel: Writers, particularly in genre fiction, are often advised to make their characters relatable, which I think is a laudable goal. My problem is that in much of the genre fiction that I read, “relatable” seems to translate to a blank-slate generic character. I keep encountering protagonists whose primary purpose is to serve as a wish-fulfilment stand-in for the reader. I prefer characters who are relatable because they seem like specific, real humans who you might bump into on the bus. I had this image of a girl in her bedroom, scrolling through emoji spells on Tumblr, and surprising herself when it turned out that they worked. She’s at least in part inspired by some of my students in my early days of teaching, who loved nerd culture and seldom saw, at least in North American fiction, a main character who looked like them or came from the kind of places where they lived.
Sujay is in many ways my love letter to Scarborough, an area in Toronto where I worked for years. Much of it, including the neighbourhood where Sujay is from, is an urban planning and architectural afterthought, car-centric, underfunded, and ill-served by municipal infrastructure. And yet beyond that surface appearance, it’s absolutely remarkable: culturally diverse, artistically vibrant, and politically engaged. Sujay’s character is inspired by her neighbourhood and the people I knew there. She’s an awkward, insecure mess, ill-suited to power and politics, and beneath the surface, positively brimming with magic.
Sabitha: The risk of writing political stories is that you can be overtaken by events. Did the election of Trump or the convoy in Ottawa change your writing?
Rachel: [laughter, followed by a lengthy episode of sobbing]. I absolutely had a crisis when the Ottawa convoy happened. I mean, so did the entire country, but my crisis was very personal and self-centred as for about a month there, I was convinced that the novel that I’d spent years writing was going to be made irrelevant by real-life events. Nor was I consoled when someone reminded me that Charles Stross—whose books very much influenced Cascade— had to scrap a plotline under similar circumstances.
I started the first scribblings that became Cascade around 2015, and there was actually a line in the original draft about the US electing a reality TV star as president and, well, we saw how that worked out. It’s always a risk. I don’t write fast enough to keep up with the creeping tide of global fascism, as it turns out. And outside of satire or comedy, you couldn’t get away with writing a villain as one-dimensionally evil and stupid as, say, Trump or Putin. It would just seem cartoonish. And yet.
My only defence against reality overtaking fiction is to keep inserting incredibly bonkers elements into the plot. I suppose if Lovecraftian horrors ever do start to awaken in the Pacific Ocean, I’ll have bigger problems than worrying that my novel is outdated.
Zilla: In many ways, Ian carries the heart of the story, but you choose not to make him a POV character in Cascade. Why did you go with that?
Rachel: The main reason is entirely pragmatic. He’s precognitive. He knows the ending of the story from before the first chapter, so having him as a POV character and knowing his motivations would make it far less of a surprise for the reader. From the outset I wanted to make him an enigma that the reader comes to know through how other characters view him.
And he takes up a lot of space. Left to his own devices, he would take over the whole story the way he takes over the country before the novel begins.
That said, his POV is incredibly fun to write, and I’ve written a short story where we get to see it. (You can get your hands on it through the Kickstarter.)
Sabitha: The labyrinth is such a cool way to cast magic, and something I don’t think I’ve seen in fiction before. What does the labyrinth mean to you?
Rachel: The entire magic system formed organically, where the story needed it. Aesthetically, I wanted a magic system that was rooted in the mundane. There are no wands or crystal balls in the Sleep of Reason universe. There are cell phones, fidget spinners, and spreadsheets that channel the feral magic of the world. Ian’s magic focus was drawing, and he needed something to draw. The labyrinth was a symbol that appeared a few times in my life—I had a friend years ago who was a street artist and would spray paint them in the middle of roads or build them out of stone, and at one point I used a meditation labyrinth to get back into writing when I was going through a rough patch—so that became one of the facets through which magic gets revealed.
Zilla: This story could have been told as a political thriller or political satire. What drew you to write it as fantasy?
Rachel:Cascade actually did start out as a near-future political thriller, and it resisted being written as such until I relented and let it have wizards in it. As I said before, I write too slowly for my commentary on specific political events to be relevant, and a fantasy element allows for a degree of separation, particularly in magic realism where social commentary is expected to be oblique.
But I also just love fantasy as a genre, even if it’s a prickly, combative sort of love. Speculative fiction offers a space for imaginative possibilities that realistic settings cannot. Political thrillers and satire can identify social ills and perhaps suggest solutions, but they don’t allow for the transformation of the world as we know it. Sleep of Reason explores grim territory—colonialism, climate catastrophe, fascism—but it contains within it the potential for a radical reimagining of our relationship with the world and each other.
There’s a joke right at the beginning about how magic is necessary for Ian’s vision of politics to be realized. Perhaps the most fantastical element of Cascade is a well-meaning, socialist-leaning government actually getting elected in Canada. But this is why I write fiction and not policy documents.
Sabitha: There are a lot of writers in our audience. Do you have any advice on telling stories?
Rachel: Get yourself a community of other writers. That’s it, that’s my big piece of advice.
Most of us, at least in western countries, have this toxic notion of storytelling as an individual pursuit, the lone creative genius weaving stories out of their imagination. I tried this myself and stalled out numerous times before I started writing with other people either in the room or online. Having communities to encourage, commiserate, vent, criticize, brainstorm, and crowdsource ideas not just keeps me motivated but also adds depth and authenticity to my work. The Night Beats News’ slogan is “it takes a village to write a novel,” and Cascade absolutely took a village to write. If I’d known this one cool trick when I started out, I’d have a bookshelf full of work by now.
Publisher’s note: There is still time to support the Cascade Kickstarter. Click the link below to learn more.
Launching a novel, while raising a child and negotiating the purchase of rights to other books (news on that coming soon!), can be a stressful business, but it sure has its rewards, too — and sometimes, provides some unexpected laughter.
First of all, I am delighted to tell you that our Kickstarter campaign for Rachel A. Rosen’s wonderful debut novel, Cascade, is already a great success — 218% funded, with 24 days still to go! That means there is plenty of time for you to get on the bandwagon and, depending on the reward tier you choose.
Second, if you are not comfortable using Kickstarter, Cascade is now available for pre-order at Amazon. Click here for a “universal” link or copy https://books2read.com/u/bp8EqJ and paste it into your browser to find it on your country’s Amazon store. For reasons so far known only to Amazon, pre-orders are currently only available for the Kindle edition, not the paperback.
Finally, the laughter. Amazon very helpfully suggested some corrections to the uploaded manuscript. Fifteen, to be exact. Can you find the one that was an actual mistake?
So, that’s where we’re at for now. But please consider subscribing to our newsletter to make sure you don’t miss out on news from The BumblePuppy Press!
If human thought is a growth, like all other growths, its logic is without foundation of its own, and is only the adjusting constructiveness of all other growing things. A tree can not find out, as it were, how to blossom, until comes blossom-time. A social growth cannot find out the use of steam engines, until comes steam-engine-time. — Charles Fort
Back in October of 2021, about a month after we announced that BPPress had bought the rights to publish Rachel A. Rosen’s brilliant debut novel, Cascade, Rachel mentioned to me that she designs book covers in her so-called spare time and would I like to see a concept she had for Cascade.
Well. What would you say? Of course I wanted to see it! And I think she sent me one the very same day.
And then, after a very little back-and-forthing, she sent me a design that knocked my proverbial socks not just off, but into the house across the street.
Needless to say, I was thrilled. The design was simple but eye-catching, the colours bold, and together the image conveyed a sense of place and of strangeness. How cold this not get people to take a closer look and sample the words behind the cover?
With all kinds of other work to do, what a relief it was to know we didn’t need to worry about the cover!
Or so we thought …
At this point I don’t remember if it was weeks later, or only days (and I’m not willing to dig into the archives to find out), Rachel sent me the following note and attached photo:
ETA: Fuckdammit. New concept time.
Naturally, my first instinct was to cry foul. Surely, China Miéville‘s publisher must (somehow) have stolen Rachel’s work and adapted it for themselves! (Rachel was not so upset. She thought Kraken‘s cover was a good one, and she’s been a fan of China’s for years.)
Of course, Rachel’s cover had existed for only a few weeks and it didn’t take much checking for me to learn that the Miéville cover had been around since at least 2011.
Harm, maybe, but no foul; just a coincidence. An irritating and a kind of hard to believe coincidence, but a coincidence nevertheless. To paraphrase Charles Fort, the early 21st century seems to be tentacle time.
Of course, we could still have used Rachel’s cover despite the similarities, but appearances wouldn’t have been flattering. Since they published first, it would have looked as if we had stolen the concept, no matter what the truth was.
Thank goodness, Rachel A. Rosen is not easily cowed!
So, without (as they say) further ado, may I proudly present the cover to The BumblePuppy Press’ next release: Cascade, Book 1 of The Sleep of Reason!
Next time: We’ll talk pre-orders and our Kickstarter campaign!